Models present creations during the Chanel Croisiere (Cruise) fashion show on May 3, 2018 at the Grand Palais in Paris. Photo by Francois Guillot/AFP/Getty Images.
The hallowed halls of New York’s Metropolitan Museum of Art will play host to a different kind of fashion show this winter. Chanel will present its Métiers d’Art runway show at the Fifth Avenue institution on December 4. The historic fashion house, founded by Coco Chanel in Paris back in 1910, was previously the subject of a somewhat controversial exhibition at the institution back in 2005.
Karl Lagerfeld, Chanel’s head creative director, launched the annual Métiers d’Art show in 2002 as a way to recognize the craftsmanship of the fashion house’s 11 specialist ateliers, from Scotland’s Barrie Knitwear to French leather maker Lemarié.
It remains to be seen whether the fashion show will be held outside of regular opening hours or if the museum will be closed to the public to accommodate the commercial event. Earlier this year, London’s National Gallery came under fire for closing for a full day so that Erdem could hold a fashion show in the galleries.
According to Vogue, this is the first fashion show to take place at the Met since 1982, which saw Valentino present its fall and winter collection in the main hall. The Met did not immediately answer an inquiry from artnet News regarding the rental fee for transforming the museum into a catwalk, but one assumes the opportunity doesn’t come cheap. Lagerfeld, according to the New York Times, is “known for ignoring financial limitations when putting on memorable shows.”
Lagerfeld has a history with the Met. In 2016, he co-chaired the museum’s “Manus x Machina”-themed gala, which contrasted handmade haute couture with new technological advances in fashion. And the Met’s 2005 Costume Institute exhibition juxtaposed original Chanel designs with garments created during Lagerfeld’s tenure, which began in 1983. (The exhibition was originally scheduled to take place in 2000, but was canceled in part due to the conflicting visions of Lagerfeld and the museum’s then-director Philippe de Montebello.)
Cheers,
Errol